Eyewitness Country Music News

Like rock 'n' roll, bluegrass exploded out of a post-World War II atmosphere in which more Americans opened their ears to more different kinds of music than ever before. All around the country, musicians were searching for new sounds and approaches: country blues went fully electric in Chicago, bebop boiled over as jazz hit the hippest notes yet, and country music followed Hank Williams into newer, sexier, harder-hitting territory. The developments in bluegrass proved every bit as galvanic. In The Bluegrass Reader, Thomas Goldsmith joins his insights as a journalist with a lifetime of experience in bluegrass to capture the full story of this dynamic and beloved music. Inspired by the question "What articles about bluegrass would you want to have with you on a desert island?" he assembled a delicious, fun-to-read collection that brings together a wide range of the very best in bluegrass writing. Goldsmith's judicious selections include a fascinating combination of older, more obscure, and previously unavailable writings with pieces that are classics in the history of writing about bluegrass: Alan Lomax in Esquire, Mayne Smith's groundbreaking dissertation, Ralph Rinzler's Sing Out piece on Bill Monroe, and Mike Seeger's Folkways liner notes. The Bluegrass Reader also features writers as disparate as Marty Stuart, David Gates, and Hunter Thompson writing for such magazines as The New Yorker, Atlantic Monthly, and Muleskinner News. In an age where musical trends flit by like models on a runway, bluegrass has endured changes while faithfully checking its advances against the formative years. Goldsmith follows its history through three roughly twenty-year periods: from 1939 to 1959, from1959 to 1979, and from 1979 to the present.

Designed for undergraduates with little or no background in world music, Music in Bulgaria is one of several volumes that can be used along with Thinking Musically, the main book in the Global Music Series, in any introductory world music or ethnomusicology course. Music in Bulgaria provides an overview of the cultural, historical, and political meaning of traditional Bulgarian music. It begins by exploring how Bulgaria's rural traditions affect the expression and interpretation of its music and goes on to examine how the country's social, political, and economic histories have influenced its music over many decades. The book also shows how the musical traditions of Bulgaria have been preserved despite the social changes brought about by the post-WWII era of industrialization and urbanization. It analyzes how Bulgarian music has spread throughout other cultures and how it has made its mark on new forms of popular music. Music in Bulgaria features eyewitness accounts of local performances, interviews with performers, and numerous listening examples. It is packaged with a 70-minute CD that includes examples of the music discussed in the text.

Country music - Country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music.

Academy of Country Music - The Academy of Country Music (ACM) was founded in 1964 in Los Angeles, California. It was originally called the Country & Western Music Academy; and was formed by people who wanted to share their love of Country music.

Country Music Television - Country Music Television, or CMT as it often called, is a country music oriented cable television channel. Programming includes music videos, taped concerts, movies, and biographies of country stars of past and present.

Country Music Television Canada - Country Music Television or often just refered to as CMT is a Canadian cable specialty television channel, which airs programming devoted to country music; in the form of music videos, award shows, concerts, television series, and more. The channel is owned by Corus Entertainment.

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